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Mr Stephen Rees

Lecturer in Musicology

s.p.rees@bangor.ac.uk

+44 1248 382184

鈥�

Mr Stephen Rees

Publications

2011

  • Published
    Rees, S., 31 Dec 2011, In: Yearbook of Traditional Music. 43, p. 258-259
    Research output: Contribution to journal 鈥� Book/Film/Article review 鈥� peer-review

2007

  • Published
    Rees, S., 31 Jul 2007, In: Welsh Music History. 7, p. 304-324 21 p.
    Research output: Contribution to journal 鈥� Article 鈥� peer-review

2006

  • Published
    Rees, S. P., 7 Sept 2006.
    Research output: Contribution to conference 鈥� Paper

2005

  • Published
    Rees, S., 1 Nov 2005, Barn, 514, p. 15-16 2 p.
    Research output: Contribution to specialist publication 鈥� Book/Film/Article review

2002

  • Published
    Rees, S. (Performer), 1 Jan 2002
    Research output: Non-textual form 鈥� Performance
  • Published
    Rees, S. (Performer), 1 Jan 2002
    Research output: Non-textual form 鈥� Performance

2001

  • Published
    Rees, S. P. (Composer) & 0, [. V. (Composer), 1 Jan 2001
    Research output: Non-textual form 鈥� Composition

2000

  • Published
    Rees, S., 31 Jul 2000, Aberystwyth: Cymdeithas Alawon Gwerin Cymru. 20 p.
    Research output: Book/Report 鈥� Book

1999

  • Published
    Rees, S. & Harper, S., 30 Jun 1999, In: Welsh Music History. 3, p. 54-67 14 p.
    Research output: Contribution to journal 鈥� Article 鈥� peer-review
  • Published
    Rees, S., 1 Jun 1999, The Violin Book. Dawes, R. (ed.). London: Balafon Books, p. 118-120 3 p.
    Research output: Chapter in Book/Report/Conference proceeding 鈥� Chapter

1998

  • Published
    Rees, S., 30 Nov 1998, In: Early Music. 26, 4, p. 681-684 4 p.
    Research output: Contribution to journal 鈥� Book/Film/Article review 鈥� peer-review

1996

  • Published
    Rees, S., 1 Jun 1996, In: Barn. 401, p. 18-20 3 p.
    Research output: Contribution to journal 鈥� Article
  • Published
    Rees, S., 1 Jun 1996, Tu Chwith, 3, p. 87-91.
    Research output: Contribution to specialist publication 鈥� Book/Film/Article review

Activities

2018

  • 鈥楥reative Renewal in the Folk Instrumental Traditions of Wales鈥�

    20 Feb 2018

    Activity: Participation in Academic workshop, seminar, course (Speaker)
  • Music in Eighteenth-Century Anglesey

    3 Feb 2018

    Activity: Participation in Academic conference (Speaker)

2017

  • Survey of melodies in Morris Edward鈥檚 Manuscript

    2 Oct 2017

    Activity: Invited talk (Speaker)
  • 鈥楾essie Thomas: The Welsh Violinist鈥�

    Abstract:

    Among British violinists active during the first third of the twentieth century,聽Neath-born Tessie Thomas stands out as a remarkable prodigy. Brought up聽in a musical family,聽she was already聽performing virtuoso showpieces by Sarasate at the age of ten; shortly聽thereafter, she was sponsored by a local J.P. to further her studies in Budapest under the tutelage of the internationally renowned violinist and pedagogue,聽Jen艖 Hubay (1858鈥�1937). She made a widely acclaimed London debut in 1917, performing as soloist聽at the Queen鈥檚 Hall promenade concerts; one of her programmes included Edward聽Elgar鈥檚 Violin concerto, conducted by the composer.

    During 1917鈥�18, she performed throughout South Wales, including a concerto performance at the Neath National Eisteddfod of 1918. The years immediately following the war saw her give solo and chamber聽performances across the United Kingdom, and release a number of recordings on 78rpm discs.

    In聽this paper, I聽trace the performing聽career of Tessie Thomas and locate her within a significant tradition of female instrumental soloists from Britain. I also聽analyse聽the career trajectory of a spectacularly talented violinist聽during the years c.1910鈥揷.1925,聽at a period when possibilties for聽advanced instrumental training in Wales were scarce.

    6 Sep 2017

    Links:

    Activity: Participation in Academic conference (Speaker)
  • 'Creative Renewal in the Instrumental Traditions of Wales'

    23 Apr 2017

    Links:

    Activity: Participation in Academic conference (Speaker)

2016

  • Treasures from Bangor Library and Archives. An examination of the fiddle manuscript written by Morris Edward during the late 1770s. The manuscript is preserved in 91精品黑料吃瓜 Archives; Morris Edward was known to have been employed to play the fiddle at the Bodorgan estate, and his collection of tunes contains some original compositions, several possibly Morris Edward himself. The presentation includes live performances of music from the manuscript, in arrangements by Stephen Rees.

    12 Oct 2016

    Links:

    Activity: Types of Public engagement and outreach - Public lecture/debate/seminar (Lecturer)
  • Instrumental tutor for traditional music classes. trac is an ACW revenue-funded organisation which was set up in 1997 to promote the traditional arts of Wales. I was a member of the team who established trac and was chair of the organisation from 1997 until 2002.

    23 Sep 2016 鈥� 25 Sep 2016

    Activity: Participation in Academic workshop, seminar, course (Invited speaker)
  • Co-organiser with Professor Nancy Edwards and Professor Angharad Price. The multi-disciplinary colloquium featured speakers from many fields, and also succeded in drawing in members of the public. Feedback from those who attended and speakers was extremely positive.

    1 Mar 2016 鈥� 21 Jun 2016

    Activity: Participation in Academic conference (Organiser)
  • Keyboard accompanist for a lecture-recital by Aaron McGregor (PhD candidate, University of Glasgow) on Early Scottish Fiddle Music.

    6 Jan 2016

    Activity: Participation in Academic conference (Participant)

2015

  • [with Huw Roberts] 鈥楾elyn Cefn Mably鈥� (鈥楾he Harp of Cefn Mably鈥�): A Newly-Discovered Triple Harp by Bassett Jones and the Abergavenny Eisteddfod of 1848鈥�

    24 Nov 2015

    Activity: Participation in Academic workshop, seminar, course (Speaker)
  • 'Making New Tradition(s):Adaptation and Individuation in Welsh Fiddle Playing'

    16 Oct 2015

    Activity: Participation in Academic conference (Speaker)
  • ' "For Wales, see England"? Adaptation and Individuation in Welsh Fiddle Playing'

    30 Apr 2015

    Links:

    Activity: Participation in Academic conference (Speaker)
  • Darlith yr 糯yl / Festival Lecture

    This bilingual lecture traces the history and status of the harp and fiddle in Wales, with particular emphasis on their use in different contexts, the nature of bardic, classical and 'folk' repertoires employed at different periods, and the ways in which the different types of harp, fiddle and crwth are being currently revived.

    2 Apr 2015

    Activity: Invited talk (Speaker)
  • 鈥楾elyn Cefn Mably鈥� (鈥楾he Harp of Cefn Mably鈥�): A Newly-Discovered Triple Harp by Bassett Jones and the Abergavenny Eisteddfod of 1848鈥�

    26 Mar 2015

    Links:

    Activity: Participation in Academic conference (Speaker)

2014

  • 鈥楩flach Tradd. (1996鈥� ): Labels, Sub-labels, and the Welsh Folk Revival鈥�

    6 Nov 2014

    Activity: Participation in Academic conference (Speaker)
  • 'Adnewyddiad yn y Traddodiad Offerynnol yng Nghymru'

    27 Sep 2014

    Links:

    Activity: Participation in Academic conference (Invited speaker)
  • 鈥楯. Glyn Davies (1870鈥�1953) and the Creation of a Welsh Shanty Tradition鈥�

    14 Mar 2014

    Links:

    Activity: Participation in Academic conference (Speaker)

2012

  • [Attendee; no presentation given]

    26 Jun 2012 鈥� 1 Jul 2012

    Activity: Participation in Academic conference (Participant)

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